Monday, September 01, 2014

The Winningest Punt - in progress



The Winningest Punt - in progress
22" x 28"  oil on panel

I spent Saturday at the Wooden Boat Museum of Newfoundland and Labrador, starting work on a boat painting.  I didn't get a lot completed at the museum as I spent time talking to people who were visiting and letting them play with a few strokes of the knife on the painting.  It was good to share the process and information about the subject with others and the environment was perfect, surrounded by original wooden boats.


I've  put a few more hours in on the painting since Saturday, but need to let it dry a little before adding some final details. I usually work wet in wet with all my palette knife pieces, but the layers are getting thick in places and I wanted a bit more precision so will let the paint skin over before adding more.
Landscapes are not my forte so I was steadily carving out colour and 
detail of the rocks, vegetation and houses of the background.


I asked for references of wooden boats to be sent to me as potential subjects to be painted at the museum and from the submissions, chose this punt taken at water level by Mark Hiscock. This punt is called the winningest punt, because of its ability to capture first place in punt races at Fogo Island over the last four years.  Mark will receive a fine art reproduction of the finished painting for allowing me to use his image to paint.  The background of houses and above that a rock face, is The Battery at St. John's harbour.  It still looks very much like the original fishing village it was, despite being smack dab in the city.  Its one of the city's treasures and I hope it never changes.

A Gander River Boat made a great display for my sketchbook and business cards at the museum.

Of course with the glare of light off the oil paint, its near impossible to get a decent photo of the painting in its current stage.  Photographing paintings is my least favourite part of art.  Well not so much the photographing, more the editing!  However, here's a crop of the piece at its current stage.  I'll post the final image when its complete, hopefully sometime this week.




Sunday, August 24, 2014

Bleeding Hearts

 Bleeding Hearts
10" x 20" oil on panel
$400 - shipping included in North America

The current boat painting I'm working on just isn't cooperating, but I will conquer it today if it kills me!  When one piece frustrates, I start on something entirely different to get over the hump and reassure myself that yes, I still can paint!


Here is the completed painting of Bleeding Hearts that I started yesterday over an abandoned painting.  These old fashioned flowers are a favourite, especially in northern gardens as they flower profusely and for so long in spring.  For me, they'll never go out of favour.

 Starstruck
9 x 12 oil on panel

And....don't forget to check out my Sunday Sale on Etsy.  Most Sunday's I am virtually giving away an original painting at half price.  I am making room in the studio as this new series is taking up a LOT of room.  And I love making original art affordable for people.  Have a look, you might find a great gift for yourself or someone else to start their original art collection.



Saturday, August 23, 2014

Recycling supports




 As much as we would all like, not every painting turns out as we anticipated.  Mine get put into cupboard, tubs or on shelves to be pulled out weeks sometimes even years later for review.  Some are worked on more, some torn up or trashed and then there are some that I paint over.

I had this image of bleeding hearts that always appealed to me.  I had several of these plants in the garden and always loved the old fashioned heart shaped flowers that bloomed reliably year after year.  I was looking for a rectangular panel and had nothing new in the size I wanted.  I rummaged around and found an old painting that never quite worked and decided it would fit the bill.  Its a 10" x 20" canvas panel so fit the composition nicely.

I'm no purist. I don't sand and gesso and sand and gesso an old piece before painting over it.  I jump straight in.  The rule is that it must be the same medium on the old piece as what I am using.  Other than that, there are no rules.  And as I'm using a palette knife, any texture on the original painting doesn't affect the new layer.

So stay tuned for the finished painting.  And yes, it is flowers.  I know.  I must have hit my head somewhere...

Monday, August 18, 2014

Lucky


 Lucky
5" x 7"  oil on canvas
NFS

When animals pass on, I like to commemorate their passage with portraits.  Lucky was around for a long time and Lily was more the newcomer of just a few months before the fox changed all that.

Lucky in Sunshine
Stillman & Birn Gamma Series sketchbook
Pen and watercolour
7" x 10" 

White Pekin ducks are lovely creatures, so pristine white with brilliant orange beaks and legs.   I did a little watercolour sketch of Lucky and with some paint left on my palette from another painting, decided that I would create this little 5 x 7" painting using a small palette knife.  I love the texture a knife can provide, but find going this small with one can be a challenge.

Lily will be next for her portrait when I have a spare moment to fit her in.

I use what I consider 'fast' mediums when I create sketches.  These are paints that dry quickly such as watercolour or acrylic, along with pen and ink or graphite.  But it doesn't stop me from adding oils if the mood takes me.  The sketch demands the medium and all dry eventually.  The beauty of a Stillman & Birn sketchbook in most all of the series that I've tried, is that the paper is quite substantial and will take a lot of water and stand up well.


Sunday, August 17, 2014

Sunday Sales

  
The Tragedy of the Commons - SOLD
oil on panel  5" x 7"

Sunday Sale  $35 + $5 shipping

Whenever I clean out the studio, I get inspired about finding homes for paintings and supplies.  Now that I can see the floor and work surfaces again and have more room for a lot of large canvasses, I have launched a Sunday Sale on my Etsy site.

On Sundays during the year, I will offer original paintings or drawings at half price. While I do this large boat painting project I need all the space I can get and I enjoy others being able to purchase original art at affordable prices too.

To launch Sunday Sales, I'm offering The Tragedy of the Commons.  This little worried cod is my interpretation of the impact of the cod moritorium in Newfoundland and Labrador. The tragedy of the commons title is based on an economics theory by Garrett Hardin, according to which, individuals, acting independently and rationally according to each one's self-interest, behave contrary to the whole group's long-term best interests by depleting some common resource.


Keep an eye on my Etsy store on Sundays and see if you can grab a bargain for yourself or someone else.  Remember Christmas is only 129 days away...

Wednesday, August 13, 2014

Seeing colour

 Sunspot 24" x 48" SOLD

I have number 3 boat painting on the easel and its progressing nicely.  There is freedom in creating paintings using a palette knife and at a larger scale.  It eliminates or at least lessens the ability to drift into too much detail.  That leads to more expression and where my 'different' colours come from when painting boats and water.

Boat # 3

I get asked how I see the colours that I use in painting a subject.  It's developed from years of acute observation, seeing subtle differences in light and environmental colour reflections on a subject, combined with a knowledge of how values work, no matter what the colour.   I could create a monotone piece like "Dream Boat" below and it works because the values are correct.  We know in reality that this colourway would never happen, but it can be pulled off visually because the light and shadow work.
Dream Boat

It's a similar thought/visual process that I use when adding additional colour to my boat and water paintings such as in "Sunspot" or "Boat # 3", currently on the easel.  The colours may not be reality based, but they are value based.  They add visual interest but don't detract or lose the viewer's ability to identify the subject and have it  read as correct.


Saturday, August 09, 2014

Bulgarian Carrot Pepper


While my head is wrapped around researching and creating a body of paintings for a solo exhibition in 2015, I still find time to sketch daily. I know, I know, I keep harping on about it but I can't apologize. Drawing is THE key element in all art disciplines. If you can't draw, you're in a boat without a paddle. So step away from the computer, look at whatever else is in front of you and draw it. 5 minutes, 10 minutes. Just do it. You'll thank me eventually for bugging you about it. :)


This time of year the garden offers up lots of bounty and is the inspiration for sketches. This is a watercolour sketch of a Bulgarian Carrot pepper, also known as "Shipkas”. It's small, about 2 inches in size, and the colour is beautiful. I haven't eaten it yet, so can't tell you my version of the heat factor, but this Scoville rating states heat between 12,000 and 30,000 units. Research seems varied on that, but there are so many factors involved that create levels of heat in peppers, as well as individual taste tolerance too that it is difficult to provide an accurate guide. I think I'll try making a hot sauce with some and see what the heat level is like for me.


And a sad note, Lucky and his friend Lily were attacked the other evening in the garden.  Lucky was killed and Lily gone.  It was most likely the silver fox that has been hanging around for the last week or two.  The ducks were part of the landscape for me and visitors and are missed.  Life in the country is never easy.